Wednesday, April 18, 2012

PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris


PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris

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Simple Times: Crafts for Poor People, by Amy Sedaris

Simple Times: Crafts for Poor People, by Amy Sedaris


Simple Times: Crafts for Poor People, by Amy Sedaris


PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris

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Simple Times: Crafts for Poor People, by Amy Sedaris

About the Author

Amy Sedaris has appeared in several movies and television shows, and, with Paul Dinello and Stephen Colbert, is a co-author of the novel Wigfield. She also co-wrote Strangers with Candy, the hit show on Comedy Central. She lives in Manhattan.

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Product details

Paperback: 304 pages

Publisher: Grand Central Publishing; Reprint edition (November 1, 2011)

Language: English

ISBN-10: 9780446557047

ISBN-13: 978-0446557047

ASIN: 0446557048

Product Dimensions:

8.5 x 1 x 10.1 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

196 customer reviews

Amazon Best Sellers Rank:

#173,207 in Books (See Top 100 in Books)

Amy sedaris. What can you say? She's hilarious. She's a beautiful women. She's not comfortable in this world. What genius really is?

I get the feeling that Amy Sedaris is simply telling us about her actual life, and we interpret it as humor. That's part of the charm. Also some of these craft ideas are probably actually worth doing.

She is sooo funny, and has the same humor as her brother, David Sedaris. But in a different style...it can be enjoyed by simply browsing through it. You wouldn't really sit down and read it cover to cover.The quality of the pages is really high, so it's fun to page through it. I was surprised by this, considering how cheap it was.She has another book too, which I've also purchased. They are equally great.

If you are looking for an actual craft book, this is not one. I thought this would have actual cute crafts to work on but it is really just funny commentary by Amy Sedaris and Paul Dinello. I'm a big fan of Amy Sedaris, so if you love her humor-which is not for everyone- you will love this book. It's packed with pictures and drawings which are awesome, and of course they are hilarious but if you're looking to do crafts, this doesn't offer much at all. For example, "Love Chimes" for your lover were a bunch of rusty nails strung together! I have the book in my living room and people love to flip through it and laugh - or wonder what kind of weirdo I am. :)

I pulled this book out of it's mailer face down, so the first thing I saw was Amy Sedaris in a crafted indian squaw outfit standing in front of a redskin habitat, holding a pipe of some kind.. I literally was laughing before I even opened the book! What amazes me is the level of detail in the photos! There are very subtle elements that are full on 100% Sedaris, and keep me rolling as I find something new every time I look. I don't know how she does it, but I love it. She can be the envy of any burned out elementary school teacher and a sadistic comedian simultaneously. Bipolar entertainment at its finest.

Seriously, I laughed so hard I peed, probably because it is a combination of the most inane things that I sometimes think and am shocked to see someone else thought too and the fond memories I have of awful 20 year old crafting books my crazy Aunt Caro use to send me every year for Christmas. Love you Aunt Caro! I bought it for my assistant because of our mutual love of Amy's brother, David Sedaris' writing and her love of crafting. When I got home I started to look through it and then read it cover to cover and laughed, cried and peed, the entire time. This can be a book for those who take crafting and themselves serious, but never at the same time and never so much that they can't laugh at either. Just when you think that she has out done herself she has something more outlandish on the very next page. I can't say that after reading this I plan to go out and make any of the crafts she has suggested except for Moses' Comb Sheath! Thank you Amy for making me pee my pants!

This is very much in the spirit of Amy Sedaris's online show At Home With Amy Sedaris. The biggest joy is the contrast between the format of a familiar craft guide from the 70s with the serious, authoritative writing --- and the absurd nature of the craft projects and inept execution. It's lavishly and lovingly illustrated with photos of tacky recycled bottlecaps, suspicious strips of burlap and lurking acorns, and contains frighting suggestions about what to do with same. For the Pinterest Fail in your heart.

Amy Sedaris is so funny and this book offers so many fun crafts that are sure to leave your life improved substantially.

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Simple Times: Crafts for Poor People, by Amy Sedaris PDF

Simple Times: Crafts for Poor People, by Amy Sedaris PDF
Simple Times: Crafts for Poor People, by Amy Sedaris PDF

Sunday, April 8, 2012

PDF Download Thomas Jefferson


PDF Download Thomas Jefferson 

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Thomas Jefferson 

Thomas Jefferson 


Thomas Jefferson 


PDF Download Thomas Jefferson 

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Thomas Jefferson 

Product details

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Audible Audiobook

Listening Length: 7 hours and 34 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: May 7, 2013

Whispersync for Voice: Ready

Language: English, English

ASIN: B00COKEDGQ

Amazon Best Sellers Rank:

This is an extremely basic and simple 192 page summary of the life and accomplishments of Thomas Jefferson. In that context, it is perfectly acceptable. For the life of me, however, I don't see how this could be rated a five (or even four) star effort.If you give this 5 stars, what do you give Truman, or John Adams or War and Peace? When you go to your average Holiday Inn, do you give it five stars? If so, what is a Four Seasons or Ritz Carlton? Do you award the gold medal to a diver who does a perfectly executed swan dive? Degree of difficulty must come into play.Having said that, if you're looking for a beginner biography for your junior high student, this would be an excellent selection. If you're interested in the American Presidents series and want to skim the surface of many of our Presidents without going in depth on any of them, this would be the way to go. If you're looking for depth, analysis and context, however, I'd certainly look for more than a 192 page summation.Why then did I purchase this work? I knew what it was when I bought it. I had just finished Ron Chernow's "Hamilton" and had previously read David McCollough's "John Adams". Both of these subjects were rivals and at times bitter enemies of Jefferson. Having been brought up to view Jefferson as a Founding Father of great intellect and importance, it was a little disconcerting to view him through the writing of McCollough and Chernow as a dishonest, venal, calculating opportunist. Chernow, especially, falls into hero worship mode when comparing and contrasting his subject, Hamilton, with Jefferson.In buying this work, I was looking for a more balanced effort without having to invest the time in an 800 page biography which largely recounted the historical events already covered in previously read biographies on Washington, Adams and Hamilton. For that purpose, it was just what the doctor ordered. Unlike Chernow, Bernstein examines his subject warts and all. He acknowledges and doesn't downplay his weaknesses, while at the same time revealing his unquestionable brilliance in many areas.I highly recommend "Hamilton" as an outstanding history lesson and biography of a little appreciated and sometimes disregarded founding father. However, this little tome is a good antidote for the character assassination sustained by Jefferson in the aforementioned work.

This is probably one of the best biographies I've read on a Founding Father. This came with a recommendation from Tom Wood's forum [...] as being a good book on Jefferson.Bernstein presents probably the fairest assessment of a person from the time period as I've seen. He doesn't ascribe deity or hero worship or perfection to the man. He also doesn't disparage Jefferson for being a product of his time and class and society. Bernstein presents Jefferson as a flawed individual who is not always consistent and doesn't always come out on top - also known as "a man".Bernstein takes a look at large periods of Jefferson's life and isn't writing to complete a minutia detailed account of every aspect of his life. However, the areas he does point to build up the man into who he would become, who he was, and how he ended life. Bernstein does reveal quite a bit that you don't learn about in history books or in school because Jefferson tends to be known for only one to two very large things - but he was so much more than those labels only. Bernstein also makes sure the reader understands some of the settings and places and even people surrounding Jefferson. Again, this is covered with a good amount of balance. Jefferson isn't the "man who could do no wrong". I did learn quite a bit about Jefferson, which should be one of the main goals when reading a biography. Bernstein does not shy away, either, of covering points of Jefferson's life like his contradictory position on slavery or his possibly fathering children from one of his slaves. Again, Bernstein, doesn't excuse it but he also doesn't call for readers of the current time to look back and denigrate those who don't hold the same values. Sadly, that's where mainstream conversations and populist books tend to go nowadays.Bernstein does a wonderful job at presenting Jefferson and his history. I highly recommend this book for those wanting to read about Jefferson or the era of the founding of America. I would have liked Bernstein to have gone a bit more into the political discussions Jefferson had with some areas of my own interest. Sometimes he tends to write as Jefferson on one side of the issue, someone else on the other, and here's the outcome. There are times that I wish the author would provide the reasons why Jefferson held to certain positions or had certain interests. However, I believe that may be the hindrance of history rather than the author. Final Grade - A

If you've put off reading a book about our "founding fathers" I would recommend R. B. Bernstein's, "Thomas Jefferson" as a great place to start. Bernstein's book provides a very good, though not detailed, examination of Jefferson's life, reflecting both the good and the bad. It is impossible for a citizen of the U.S. in 2013 to imagine the difficulty and uncertainty the "founding fathers" had in traversing the unknowns of establishing a new nation and a new government system while breaking their connections to England, their homeland. What could inspire and compel men to do such a thing? Bernstein permits us to take a brief look into the minds of several of these early leaders, Thomas Jefferson in particular, to gain a sense of their motivations. In "Thomas Jefferson" we follow Jefferson from his early privileged life in Virginia; his education and his venture into politics, starting at the Virginia Assembly and rising to be Vice President and then President of the United States. Along the way he made mistakes and experienced some of the frailties common to most men but his contributions to our republican form of government set him apart as one of our finest Presidents. Should a reader of this book desire to read further into this period of American political life, Bernstein provides a very good list of references in his Notes and Bibliographical references.

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Wednesday, April 4, 2012

Free PDF Born Just Right (Jeter Publishing)


Free PDF Born Just Right (Jeter Publishing)

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Born Just Right (Jeter Publishing)

Born Just Right (Jeter Publishing)


Born Just Right (Jeter Publishing)


Free PDF Born Just Right (Jeter Publishing)

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Born Just Right (Jeter Publishing)

About the Author

Jordan Reeves was born just right, and cofounded a nonprofit with the same name. Ever since she was little, this teen has pushed through any expectations and proved she can do anything (except monkey bars). Through her activities and opportunities to speak and mentor other kids with limb differences, Jordan is helping change attitudes around physical differences. Jordan is currently changing what we think of as a superhero and by designing a body enhancement. Her ideas include a 3-D printed prosthetic that allows her to shoot sparkles for her alter ego, Girl Blaster. Jordan has shown off her work on The Rachael Ray Show, MakerFaire, TEDx, and many other events across the country.Jen Lee Reeves is the founder and executive director of Born Just Right. She’s also a mom to Cameron and Jordan. She and her husband, Randy, have learned so much about what it takes to advocate for our children and how powerful it can be when parents work together in advocacy and support in the world of disability. When she isn’t working for Born Just Right, she’s a social media strategist and training consultant with her own consultancy. She also taught at the Missouri School of Journalism and managed an NBC affiliate newsroom. To relax, Jen loves to travel, enjoy sunrise runs in new cities, take photos of the lake in her backyard, and enjoy music and good food with the family.

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Product details

Age Range: 9 - 13 years

Grade Level: 4 - 8

Series: Jeter Publishing

Hardcover: 160 pages

Publisher: Aladdin (June 4, 2019)

Language: English

ISBN-10: 1534428380

ISBN-13: 978-1534428386

Product Dimensions:

5.5 x 8.2 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#474,017 in Books (See Top 100 in Books)

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Tuesday, March 27, 2012

Free Download , by George Wallace Don Keith


Free Download , by George Wallace Don Keith

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, by George Wallace Don Keith

, by George Wallace Don Keith


, by George Wallace Don Keith


Free Download , by George Wallace Don Keith

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, by George Wallace Don Keith

Product details

File Size: 5518 KB

Print Length: 572 pages

Simultaneous Device Usage: Unlimited

Publisher: Severn River Publishing (January 28, 2019)

Publication Date: January 28, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MY8RF25

Text-to-Speech:

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Amazon Best Sellers Rank:

#4,667 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Yes, this would make a great film – but the writing made me cringe, for two reasons.First, the author (I assume it was Keith, ghost-writing for Wallace) hasn't the slightest knowledge of foreign languages, not even at the level used in other techno-thrillers. The most glaring blunder is that Keith thinks a Russian character's patronymic is his nickname. Explanation: a patronymic is a name constructed as "child of [father's first name]," and Russians use them as middle names, or more accurately, as extensions of their first names – so that Sergei, son of Ivan, is named Sergei Ivanovich, and Alexander, son of Sergei, is named Alexander Sergeyevich. But throughout the novel, Keith consistently has the character Sergei addressed in dialog as "Sergeiovich" instead of Seryozha or Seryoga (nicknames for Sergei), and Alexander addressed as "Alexanderovich" instead of Sasha (nickname for Alexander/Aleksandr). Other annoyances include having his Russian characters say "clicks" -- American slang -- for kilometers; having a Frenchman address a Russian admiral as “Admirale,” when the French word for admiral is “amiral”; naming a Russian character “Anatol” – confusing the Russian name Anatoly with the French name “Anatole”; and giving a Russian male the name Ludmila, which is a girl’s name. He has a character comment “ne kulturny, no culture,” when the correct language is the single word nekulturny, an adjective meaning uncultured (actually an insult whose real meaning is boorish/low class). But maybe the worst howler is when he tries to pluralize the Russian word for warrant officer (anglicized as "michman") as "michmen" (when the plural, anglicized, is "michmanny.")(In their previous novel, Final Bearing, they had the Colombian crime boss, the jefe (chief, pronounced “HEFFay”), addressed in dialog, every time, as “El Jefe” instead of “Jefe” – like saying “hello, the boss” instead of “hello, boss.” Ugh.)Second, Keith seems to have done no research, guessing at words he doesn't know. For example, he consistently writes "explosive squid" when he means explosive squib; he calls a helicopter’s collective (control lever) the “collector”; he consistently calls the Russian parliament the "Dumas" when it's the Duma; he writes "Keklivek" when he means "Keflavik" (Iceland); and he writes "Skattegat" for the Scandinavian waters that are either the Skaggerak or the Kattegat. He has an American character say “…there are only a couple of countries in Artic winter right now. Canada and Norway are allies… that leaves Russia” – thereby making Finland and Sweden disappear from the globe. And he writes of “Scotch whiskeys,” when the proper term is “Scotch whiskies.” (FYI, it’s “whiskey/whiskeys” for the American and Irish varieties, and “whisky/whiskies” for the Scotch, Canadian, and Japanese types.) Finally, he should know that the word “none” – meaning “no one” – is singular, not plural.There’s actually a third problem – plot deficiencies at the end of the novel – but that would take too long to explain.-- Sam C., New Hampshire

As a retired submariner TMCS(SS) and COB from a 637 class submarine, it bring back many fond memories from the attack submarine force. They were the workhorses during the "Cold War".

The author had a good feel for the stresses of a sub captain. Great yarn on drug interdiction.

This book is a great read. The author weaves together submarine tactical operations, SEAL mission execution, and police detective activities to form a contemporary plot of drug trafficking warfare. Throw in a little anti-submarine warfare, aggravating maintenance issues of old submarines, and inner workings of a drug cartel to bond the plot together makes this a compelling read. The realistic adventure holds the reader’s attention on each page as good and bad events occur to affect the mission causing hard decisions along the way. I highly recommend this for those interested in submarines and naval warfare as well as anyone who likes a great adventure featuring modern heroes.

..the style of writing and the Story ! Recommend!!

No problems

Can't wait for his next book. I've read them all and am hooked!!! They are so vivid, I feel like I'm there observing.

If you like this type of military action which i find extremelygood then you will really enjoy this book. The authors reallykeep you reading and its hard to put the book down. Wouldrecommend this book to all readers for action and suspense.

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Tuesday, March 20, 2012

Ebook Foreign Element


Ebook Foreign Element

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Foreign Element

Foreign Element


Foreign Element


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Foreign Element

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Paperback: 102 pages

Publisher: Precis Intermedia (January 2, 2015)

Language: English

ISBN-10: 1938270908

ISBN-13: 978-1938270901

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Friday, March 9, 2012

Get Free Ebook The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara


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The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara

Review

“Captivating and exhaustively researched…This is a fascinating slice of Hollywood history with a feminist slant, correcting a sexist wrong from decades ago and restoring Patrick to her rightful place of esteem.” —Publishers Weekly (starred review)"Mallory O'Meara's book is a long-overdue tribute to Milicent Patrick, who made her way in Hollywood when women were never given equal standing. Patrick, an artist, actor, and colorful hostess, had an incredible life, and O'Meara lets us know the good and the bad of it." —Charlaine Harris“The Lady From the Black Lagoon is not just a story that needed to be told, the exact right person told it. At some point, the book starts to resemble troika dolls: echoes of Milicent Patrick’s life can be heard in Mallory O’Meara’s life, and echoes of Mallory’s can be heard in ours, the readers. It’s then that you realize how profound this book really is.” —Josh Malerman, author of Bird Box“There's never a dull moment in this beautiful, heartfelt tribute to a pioneering special-effects designer and animator and passionate call for change in the industry that forgot her.” —Booklist, starred review"Particularly timely in light of the #MeToo movement... Enganging [and] forthright." —Library Journal"With THE LADY FROM THE BLACK LAGOON, Mallory O'Meara has performed true magic. It's a non-fiction detective story, with O'Meara chasing the mystery of how the woman who designed one of cinema's most famous monsters was erased from movie history. It's an intimate, personal quest, and an irrefutable indictment of Hollywood sexism both past and present. It's a love letter to monsters, and to those of us who cherish them. Even if you're not a regular non-fiction reader, you owe it to yourself to read this book. You'll thank me later." —Christopher Golden, New York Times bestselling author of Ararat and The Pandora Room“The woman behind the classic monsters of our collective Hollywood fantasies finally comes to life within this compelling odyssey of betrayal, broken dreams and shining resilience. Spanning the worlds of film, animation, horror and glamour, Mallory O’Meara richly reweaves the splintered mystery of Milicent Patrick into a dead-on expose of Hollywood then and now. Dive in!” —Mindy Johnson, author of Ink & Paint: The Women of Walt Disney's Animation“An idiosyncratic, much-needed biography of ‘a woman before her time’… this passionately written biography will do much to bring Patrick the recognition she deserves.” —Kirkus Reviews"The Lady from the Black Lagoon is a celebration of the life and shamefully overlooked work of Milicent Patrick. It's also an unflinching, from-the-front-lines recounting of Hollywood's toxic patriarchal culture, a history of all manner of monsters. You'll be infuriated at the legacy of continuing injustice but inspired by the talent, will, and spirit of Milicent Patrick and Mallory O'Meara." —Paul Tremblay author of A Head Full of Ghosts and The Cabin at the End of the World"Like many women film pioneers, Milicent Patrick's trailblazing creature design and special make-up effects work has largely gone unrecognized, overlooked or even attributed to men. The Lady from the Black Lagoon shines a vital light on one of the unsung women heroes of cinema." —Jovanka Vuckovic, author of Zombies! An Illustrated History of the Undead“O'Meara's deep dive into this unfairly-forgotten genius of character creation enriches Hollywood history and should inspire future lady monster-makers for years to come.” —Sam Maggs, author of Girl Squads and Wonder Women“At times laugh-out-loud funny, at others deeply moving, this engrossing book challenges the reader to look beyond what they think they know to see the secrets those in power have tried to bury.” —Alexandria Brown, Librarian and author of Hidden History of Napa Valley“The movie business is full of secret and forgotten histories. In The Lady from the Black Lagoon, Mallory O’Meara dives deep into one of these tales. She tells the story of Milicent Patrick, who designed an iconic monster and was an important Disney animator at a time when women were more tolerated than celebrated. Weaving strands of Hollywood lore with Patrick’s biography and her own personal history, O’Meara has written a book that’s as entertaining as it is necessary.” —Richard Kadrey, author of Hollywood Dead

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About the Author

Mallory O'Meara is an author, screenwriter and a producer for the independent film company Dark Dunes Productions. Whether it is for the screen or the page, she seeks creative projects imbued with horror and monsters. A New England native, she now lives in Los Angeles.

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Product details

Hardcover: 336 pages

Publisher: Hanover Square Press; Original edition (March 5, 2019)

Language: English

ISBN-10: 1335937803

ISBN-13: 978-1335937803

Product Dimensions:

6.1 x 1.2 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#2,111 in Books (See Top 100 in Books)

I work in the film industry. And, yes, I've seen first-hand the kind of discrimination against woman that Mallory O'Meara reveals in "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick."Women are slighted, overlooked, under valued and under compensated every day and not just in the film industry. Even today this kind of discrimination is rampant in many industries, so Mallory O'Meara does well to devote her book to this issue. The book is even more of a spotlight because O'Meara highlights the work and career of Milicent Patrick. Patrick was a wonderfully creative makeup artist, special effects designer and animator. She was the first female animator at Walt Disney Studios and the creator of the Creature from the Black Lagoon. And she was totally disregarded, never received the credit due to her and has largely been forgotten by history.My problem with the book is that the subject material is much too close to O'Meara. This causes rage and anger to infect her writing. She has every reason to feel strongly as she has been victimized in many of the same ways as the subject of her book. However, a writer needs a degree of detachment to effectively deal with a subject--especially one as fragrant as the treatment of Patrick and, yes, even O'Meara herself. This turns the book into a more of a vendetta than a exposure of a wrong that continues to be done.Hollywood is laden with discrimination. As an older actor, I see it every day. It needs exposed, it needs refuted and it needs to be corrected. I'm just not sure that "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick" will accomplish that noble purpose.

In the 1950s, a young artist and background performer of various film roles designed what is easily the most visually arresting of the Universal horror movie monsters. Employed in the special effects shop at Universal Studios, Milicent Patrick created the Gill Man for the 1954 film, Creature from the Black Lagoon. While her creation would become one of the most recognizable and iconic movie monsters in cinema, Patrick would unfortunately become lost to history as her supervisor’s jealousy, rampant sexism in the film industry, and a total lack of proper crediting of filmmaker’s roles in 1950s, all worked together to obscure and all but eliminate her legacy.Thankfully, film producer, author, Milicent Patrick fan, and Creature from the Black Lagoon obsessive, Mallory O’Meara has stepped in to unearth Patrick’s forgotten history and set the record straight with her wonderful The Lady from the Black Lagoon. Given the unfortunate state of obscurity Patrick fell into, O’Meara certainly had her work cut out for her. Luckily, she’s a dogged investigator and was able to piece together Patrick’s puzzling history through a whole lot of archival research, industry contacts, and interviews. Over the course of her writing, O’Meara notes the various confluences that have randomly, surprisingly, and unknowingly linked her to Patrick over the course of her life. There’s a certain sense of destiny at work in these moments that are quite charming and really make you root for O’Meara’s efforts to uncover and reveal Milicent’s buried history.The Lady from the Black Lagoon is meticulously assembled and presents a candid and honest representation of O’Meara’s personal hero without being slavish or overly fannish. And make no mistake, O’Meara is most certainly a fan, one who even sports a tattoo on her arm of Patrick and the Creature. She is wholly devoted, though, to teaching us about Patrick’s life, warts and all. I knew hardly anything at all about Milicent Patrick going into this book, but it’s safe to say I’m certainly a fan now, too.Patrick is a vitally important figure in film history, and not just because of what she’s created, but what she could represent for future generations of women in the arts. Patrick is the first and only woman to have ever designed an iconic movie monster. Think about that. In almost 65 years of cinema, there has not been another notable creature designed by a woman. And over those same 65 years, men and history have sought to completely eliminate Patrick’s role in designing the Creature, giving sole credit to her manager, Bud Westmore, who ran the special effects shop at which she was employed.Throughout the course of The Lady from the Black Lagoon, O’Meara writes with firey passion at the injustices perpetrated upon Milicent Patrick. She’s angry, and rightfully so. Hell, I’m mad right now just thinking about all the various issues raised over the course of this book’s 300-plus pages. And if you have any kind of a conscious or sense of fairness, this book will justifiably tick you off, too.While uncovering the history of Patrick’s legacy is clearly a passion project for O’Meara, The Lady’s focus is not limited solely to the special effects artist. O’Meara’s research places Patrick within the context of her time, but the author smartly compares those issues of 1950s sexism and male domination over Hollywood to the present day, within the scope of the #MeToo era. It’s sad and disgusting just how little has changed in six decades, and how fully sexist, male elitism still thrives within Tinseltown. O’Meara doesn’t bother hiding her anger and these injustices, and more power to her. She, too, has been objectified countless times, as has every other woman working in Hollywood. At one point she relates a personal story of, as a producer for Dark Dunes Productions, having cast a male actor to voice a character for one of their films. Upon meeting O’Meara and seeing her green-dyed hair, he immediately volunteers to help dye her pubic hair. Incidents like these are not rare in Hollywood, and O’Meara reports that every single woman she knows in the film industry has many, many, many stories like hers.The toxic environment that defined the 1950s era of filmmaking is alive and well in present day, and 65 years later, O’Meara has found far too many similarities between her own experiences and those that utterly destroyed Patrick’s career. As O’Meara writes in her introduction, “It’s not just her story. It’s mine, too.” Sadly, it’s the story of every woman in Hollywood then and now, present-day, right now, right this minute. The jealous claims to fame that Bud Westmore latched on to and used to ruin Patrick’s career and her future in special effects are hardly a thing of the past. In 2017 and 2018 we saw, first-hand, women finally speaking out, publicly and openly, about the sexist state of their industry, the decades of abuse they’ve had to endure from repulsive figures like Harvey Weinstein. It’s a serious issue that demands exploration and rectification, as well a reclamation for the histories of women that were ruined solely to appease or protect powerful men.How many other women have played vital roles behind the scenes in Hollywood, only to have their contributions covered up or credited to their male counterparts? How many women around the world have been denied representation, denied even the idea that they, too, could create horror icons or work in the special effects industry? The fact that all of the most well-known special effects artists are men “didn’t seem strange to me,” O’Meara writes. “It was status quo. … I had never seen myself reflected in the world of horror filmmaking. The possibility of it never crossed my mind.” When she began writing The Lady from the Black Lagoon in 2016, 96% of that year’s films were directed by men, only a four percent difference from the 100% of male directed films of 1954 when Creature from the Black Lagoon was released. “It’s harder for women to get into Hollywood than it is for us to get to space,” she writes, nothing that sixty women have been to space between 1983 to now, but that only one woman, Kathryn Bigelow, has ever won an Oscar for Best Director in 2010. Their roles in front of the camera are little better, with the vast majority of speaking roles going to men, with the film leads being men, with the action heroes being men, with the monsters being men, and the artists creating the monsters being men. Characters like Ellen Ripley and Buffy Summers are not the norm; they are outliers and few and far between at that. When women are able to break through the male domination of Hollywood, they are routinely questioned on how they landed any given job, with the automatic assumption being that they slept with their boss rather than worked hard and were actually talented. No, even then, the automatic default for a woman in Hollywood is to be reduced to nothing more than a sex object. It’s repulsive and infuriating.The Lady from the Black Lagoon is a necessary read and a vital contribution to our society’s (sadly) on-going discussion on issues of representation and equality. It’s a much deserved biography of an important, and overlooked, woman and her contributions, but it’s also a hell of a lot more than just an accounting of Milicent Patrick’s history. O’Meara takes note of the historical injustices that beset Patrick and explicitly shows us how little we’ve progressed societally and with women in film, and by tackling these issues of rampant sexism in cinema, she’s raised the bar in terms of awareness and combating these issues with her outspokenness. Speaking as a man, if there are any male readers out there bemoaning all this, my only advice to you is to simply shut the hell up and listen, because you should be learning from these women and their experiences and working hard at being better.[Note: I received an advance copy of this title from the publisher via NetGalley.]

I give O'Meara a lot of credit for tackling this subject. It's clear from the details of her search that finding good, correct information about Millicent Patrick was not easy. O'Meara has collected a tremendous amount of evidence for her biography, and her portrait of Patrick is vibrant and enjoyable.Having spent a lot of time reading academically, I was initially put off by the conversational tone and glib notes that O'Meara peppers throughout her writing. However, after considering that the target audience for the book is probably horror hobbyists, those who are far removed from the classic horror she's writing about and encounter it only as artifacts of the past - I think it may be merited. It certainly makes it easy to read. It's not a dry and highly annotated scholarly work and does not set itself out as such.There's also a potent combination of O'Meara's own experiences with the older content. Including modern instances of discrimination, unpleasant or unprofessional behavior and harassment was a bold choice given how often such claims are minimized and dismissed by people who have a vested interest in continuing the status quo. The examples serve to make the harassment and objectification that Patrick experienced feel more fresh and relevant, so ultimately I think they do more good than harm.Over all this was an enjoyable ride. What it lacked - and it desperately needs - is photos. I'm not sure whether they will be included in the final release of the book but I hope that they will. I had to read with my phone in hand. Thankfully Patrick has become somewhat of a cause célèbre over the last year or two, and many blogs and articles cite her work on the Creature and other projects, including photos of her at work, or the famous press tour photos of her posing with props.

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Sunday, March 4, 2012

Download Ebook The Pool of Fire (The Tripods), by John Christopher


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The Pool of Fire (The Tripods), by John Christopher

About the Author

John Christopher was the pseudonym of Samuel Youd, who was born in Lancashire, England, in 1922. He was the author of more than fifty novels and novellas, as well as numerous short stories. His most famous books include The Death of Grass, the Tripods trilogy, The Lotus Caves, and The Guardians.

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The Pool of Fire One A Plan of Action Everywhere there was the sound of water. In places it was no more than a faint whisper, heard only because of the great stillness all around; in others, an eerie distant rumbling, like the voice of a giant talking to himself in the bowels of the earth. But there were places also where its rushing was clear and loud, and the actual torrent was visible by the light of oil lamps, flinging itself down dark rocky water-courses or spilling in a fall over a sheer edge of stone. And places where the water lay calm in long black reaches, its sound muted to a monotonous drip . . . drip . . . drip . . . which had continued for centuries and would continue for as many more. I was relieved from guard to go to the conference, and so went through the dimly lit tunnels late and alone. The work of nature here mingled with the work of man. The earth’s convulsions, and the action of long-dead rivers, had hollowed out these caverns and channels in the limestone hills, but there were marks of the ancients, too. Men had been here in the past, smoothing uneven floors, widening narrow gaps, sinking handrails into an artificial stone to aid and guide the traveler. There were also long ropelike cables, which had once carried the power called electricity to light bulbs of glass along the way. Our wise men, Beanpole had told me, had learned the means of doing this again, but needed resources that were not available to them here—nor would be, perhaps, while men were forced to skulk like rats in the dark corners of a world governed by the Tripods, those huge metal monsters who strode on three giant legs across the face of the earth. I have told already how I left my native village, at the urging of a strange man who called himself Ozymandias. This happened during the summer which was to have been my last before I was presented for the Capping ceremony. In that, boys and girls in their fourteenth year were taken up into one of the Tripods and returned later wearing Caps—a metal mesh that fitted close to the skull and made the wearer utterly obedient to our alien rulers. There were always a few whose minds broke under the strain of Capping, and these became Vagrants, men who could not think properly and who wandered aimlessly from place to place. Ozymandias had posed as one of them. In fact, his mission was to recruit people who would fight against the Tripods. So I went, with my cousin Henry who also lived in my village, and later with Beanpole, a long journey to the south. (His real name was Jean-Paul, but we nicknamed him Beanpole because he was so tall and thin.) We arrived at last at the White Mountains, where we found the colony of free men Ozymandias had spoken of. From there, the following year, three of us were sent as a spearhead to penetrate into the City from which the Tripods came and learn what we could of them. Not quite the same three, however. Henry was left behind, and in his place we had Fritz, a native of the land of the Germans in which the City stood. He and I had got into the City, served as slaves of the Masters—monstrous three-legged, three-eyed reptilian creatures who came from a distant star—and learned something of their nature and their plans. But only I had escaped, plunging through the drain of the City into a river, and from there being rescued by Beanpole. We had waited, hoping Fritz might do the same, until, with snow falling and winter coming on, we had been forced to return, heavy-hearted, to the White Mountains. We had reached them to find that the colony had moved. This had been the result of a prudent decision by Julius, our leader. He had foreseen the possibility of our being unmasked by the enemy, and of our minds being ransacked once we were helpless in their grasp. So, without telling us of it, the plan had been formed to evacuate the Tunnel in the White Mountains, leaving only a few scouts to await our hoped-for return. The scouts had discovered Beanpole and myself, as we stared miserably around the deserted fortress, and had led us to the new headquarters. This lay a long way to the east, in hilly rather than mountainous country. It was a land of narrow valleys, flanked by barren, mostly pine-wooded hills. The Capped kept to the valley floors, we to the ridges. We lived in a series of caves that ran, tortuously, for miles through the heights. Fortunately there were several entrances. We had guards on them all, and a plan for evacuation in case of attack. But so far all had been quiet. We raided the Capped for food, but were careful to have our raiding parties travel a long way from home before they pounced. Now Julius had called a conference and I, as the only person who had seen the inside of the City—seen a Master face to face—was summoned from guard duty to attend it. • • • In the cave where the conference was held, the roof arched up into a darkness that our weak lamps could not penetrate: we sat beneath a cone of night in which no star would ever shine. Lamps flickered from the walls, and there were more on the table, behind which Julius sat with his advisers on roughly carved wooden stools. He rose to greet me as I approached, although any physical action caused him discomfort, if not pain. He had been crippled in a fall as a child, and was an old man now, white-haired, but red-cheeked from the long years he had spent in the thin bright air of the White Mountains. “Come and sit by me, Will,” he said. “We are just starting.” It was a month since Beanpole and I had come here. At the outset I had told all I knew to Julius and others of the Council and handed over the things—samples of the Masters’ poisonous green air, and water from the City—which I had managed to bring with me. I had expected some kind of swift action, though I did not know what. Swift, I thought, it had to be. One thing I had been able to tell them was that a great ship was on its way, across space, from the home world of the Masters, carrying machines that would turn our earth’s atmosphere into air which they could breathe naturally, so that they would not have to stay inside the protective domes of the Cities. Men, and all other creatures native to the planet, would perish as the choking green fog thickened. In four years, my own Master had said, it would arrive, and the machines would be set up. There was so little time. Julius might have been speaking to me, answering my doubts. He said, “Many of you are impatient, I know. It is right that you should be. We all know how tremendous a task we face, and its urgency. There can be no excuse for action unnecessarily delayed, time wasted. Every day, hour, minute counts. “But something else counts as much or more; and that is forethought. It is because events press so hard on us that we must think and think again before we act. We cannot afford many false moves—perhaps we cannot afford any. Therefore your Council has deliberated long and anxiously before coming to you with its plans. I will give you them in broad detail now, but each one of you has an individual part to play, and that will be told you later.” He stopped, and I saw that someone in the semicircle in front of the table had risen to his feet. Julius said, “Do you wish to speak, Pierre? There will be opportunity later, you know.” Pierre had been on the Council when we first came to the White Mountains. He was a dark, difficult man. Few men opposed Julius, but he had done so. He had, I had learned, been against the expedition to the City of Gold and Lead, and against the decision to move from the White Mountains. In the end, he had left the Council, or been expelled from it; it was difficult to be sure which. He came from the south of France, from the mountains which border on Spanish land. He said, “What I have to say, Julius, is better said first than last.” Julius nodded. “Say it, then.” “You talk of the Council coming to us with its plans. You talk of parts to play, of men being told what they must do. I would remind you, Julius; it is not Capped men you are talking to, but free. You should rather come to us asking than ordering. It is not only you and your Councillors who can plan how to defeat the Tripods. There are others who are not lacking in wisdom. All free men are equal, and must be given the rights of equality. Common sense as well as justice demands this.” He stopped speaking, but remained on his feet, among the more than a hundred who squatted on the bare rock. Outside it was winter, with even these hills mantled with snow, but, as in the Tunnel, we were protected by our thick blanket of rock. The temperature never changed here, from one day or season to another. Nothing changed here. Julius paused for a moment, before he said, “Free men may govern themselves in different ways. Living and working together, they must surrender some part of their freedom. The difference between us and the Capped is that we surrender it voluntarily, gladly, to the common cause, while their minds are enslaved to alien creatures who treat them as cattle. There is another difference, also. It is that, with free men, what is yielded is yielded for a time only. It is done by consent, not by force or trickery. And consent is something that can always be withdrawn.” Pierre said, “You talk of consent, Julius, but where does your authority lie? In the Council. And who appoints the Council? The Council itself does, under your control. Where is the freedom there?” “There will be a time,” Julius said, “for us to discuss among ourselves how we shall be governed. That day will come when we have destroyed those who now govern humanity all over the world. Until then, we have no room for squabbling or dispute.” Pierre began to say something, but Julius raised a hand and silenced him. “Nor do we have room for dissension, or the suspicion of dissension. Perhaps what you have said was worth saying, whatever the motive with which you said it. Consent, among free men, is given and can be withdrawn. It can also be affirmed. So I ask: will any man who wishes to challenge the authority of the Council, and its right to speak for this community, rise to his feet?” He stopped. There was silence in the cave, apart from the shuffle of a foot and the unending distant roar of water. We waited and watched for a second man to get to his feet. None did. When time enough had gone by, Julius said, “You lack support, Pierre.” “Today. But perhaps not tomorrow.” Julius nodded. “You do well to remind me. So I will ask for something else. I ask you now to approve this Council as your government until such a time as those who call themselves the Masters are utterly defeated.” He paused. “Will those in favor stand up?” This time, all stood. Another man, an Italian called Marco, said, “I vote the expulsion of Pierre, for opposing the will of the community.” Julius shook his head. “No. No expulsions. We need every man we have, every man we can get. Pierre will do his part loyally—I know that. Listen. I will tell you what we plan. But first I would like Will here to talk to you of what it is like inside the City of our enemies. Speak, Will.” When I had told my story to the Council, I had been asked by them to keep silent to others for the time being. Normally this would not have been easy. I am talkative by nature, and my head was full of the wonders I had seen inside the City—the wonders, and the horrors. My mood, though, had not been normal. On the way back, with Beanpole, my energies had been taken up by the arduousness and uncertainty of the journey: there had been little time in which to brood. But after we had come to the caves it had been different. In this world of perpetual lamp-lit night, of echoing silences, I could think and remember, and feel remorse. I found I had no wish to talk to others of what I had seen, and what had happened. Now, under Julius’s instruction to speak, I found myself in confusion. I spoke awkwardly, with many stops and repetitions, at times almost incoherently. But gradually, as I continued with my story, I became aware of how closely they were all listening to it. As I went on, also, I was carried away by my recollection of that terrible time—of what it had been like to struggle under the intolerable burden of the Masters’ heavier gravity, sweating in the unvarying heat and humidity, watching fellow slaves weaken and collapse under the strain, and knowing this would almost certainly be my own fate in the end. As it had been Fritz’s. I spoke, Beanpole told me later, with passion and with a fluency that was not naturally mine. When I had finished and sat down, there was a silence in my audience that told how deeply the story had affected them. Then Julius spoke again. “I wanted you to listen to Will for several reasons. One is that what he says is the report of someone who has actually witnessed the things of which he tells. You have heard him, and you know what I mean: what he has described to you he has seen. Another reason is to hearten you. The Masters are possessed of tremendous power and strength. They have traveled the unimaginable distances that lie between the stars. Their lives are so long that ours, by comparison, seem like the dance of mayflies for a brief day over a tumbling river. And yet . . .” He paused, and looked at me with a little smile. “And yet Will, an ordinary boy, no brighter than most, a trifle on the small side—Will has struck at one of these monsters, and seen it collapse and die. He was lucky, of course. There is a place where they are vulnerable to a blow, and he was fortunate enough to discover it and to strike there. The fact remains that he killed one of them. They are not all-powerful. We can take heart from that. What Will managed by luck, we can achieve by planning and resolution. “This leads me to my third point, my third reason for wanting you to hear Will’s story. It is that essentially it is a story of failure.” He was looking at me, and I felt myself flushing. He went on, calmly and unhurriedly: “The Master was made suspicious by finding in Will’s room the notes he had made about the City and its dwellers. Will did not think the Master would go into his room, where he would have to wear a mask to be able to breathe; but this was shallow thinking. After all, he knew his Master was one who took more care of his slaves than most, and knew that he had, before his own time, arranged for small extra comforts to be installed in the refuge room. It was reasonable that he might do so again, and find the book with notes in it.” His tone was level, considering rather than critical, but the more damning for that. My shame and embarrassment grew as I listened to him. “Will was able, with Fritz’s help, to salvage a great deal from the situation. He escaped from the City, and returned with information whose value to us is beyond computing. But still more could have been gained.” His eyes were on me again. “And with time to plan things better, Fritz might have come back, too. He passed on to Will as much as he could of what he had learned, but it would have been better if he had been able to testify himself. Because every tiny item counts in the struggle.” Julius spoke then of the short time we had, of the ship already on its way toward us through the far deeps of space, and of the final death for all earthly things which it would bring with it. And he told us what had been decided by the Council. The most important thing was to speed up—tenfold, a hundredfold, eventually a thousand-fold—our efforts to win the young, those still not Capped, to our side. To do this, as many as possible must go out, winning over and teaching young people, all over the world. Cells of resistance must be set up, and must create other cells. The Council had maps, and would give instructions where to go. Particularly, we must aim at establishing opposition groups in the neighborhood of the other two Cities of the Masters—one thousands of miles across land to the east, the other on the far side of the great ocean to the west. There were problems of languages which would have to be overcome. There were other problems—of survival, of organization—which might seem, at first sight, insuperable. They were not insuperable, because they must not be. There could be no weakening, no despair, nothing but a determination to give every last ounce of energy and strength to the cause. This course, obviously, involved a risk of alerting the Masters to the opposition that was developing. It was possible that they would not bother much about it, since their plan for extermination was so far advanced. But we had to be prepared for countermeasures. We must not have one headquarters, but a dozen, a hundred, each capable of carrying on by itself. The Council would split up, its members traveling from place to place, only meeting occasionally and with due precaution. So much for the first part of the Plan—the urgent need to mobilize all available forces for the struggle, and to reconnoiter and establish colonies within reach of all three enemy Cities. There was another part, perhaps even more important. Means had to be devised for destroying them, and this would involve much hard work and experimentation. A separate base was to be set up, but only those allotted to it would know where it was. That was where our ultimate hope lay. We dare not risk its discovery by the Masters. “Now,” Julius said, “I have told you what I can. Later, you will be given your individual instructions, and the things, such as maps, which you may need to carry them out. I will ask now: are there any questions, or suggestions?” No one spoke, not even Pierre. Julius said: “Then we can go our ways.” He paused. “This is the last time we shall meet together, in such an assembly, until our task is completed. The only final thing I would say is what I have said already. That which we have to do is a tremendous and frightening task, but we must not let it frighten us. It can be done. Yet it can only be done by each one giving his all. Go now, and God go with you.” • • • It was Julius himself who gave me my instructions. I was to travel to the south and east, posing as a trader with a packhorse, winning recruits and seeding resistance, and reporting back to the center. Julius asked, “Is it clear to you, Will?” “Yes, sir.” “Look at me, Will.” I raised my eyes. He said, “I think you are still smarting, lad, from some of the things I said, after you had told your tale to the assembly.” “I realize that what you said was true, sir.” “But that does not make it easier to bear, when one has told a story of courage and skill and high endeavor, and finds it afterward painted a somewhat different color.” I did not answer. “Listen, Will. What I did, I did for a purpose. The standards we set ourselves must be high, to a point of near impossibility. So I used your story to point a moral: that carelessness, in one man, can destroy us—that enough is never enough—that there can be no complacency, however much is achieved, because there is always more to achieve. But I can tell you now that what you did, you and Fritz, was of tremendous value to us all.” I said, “Fritz did more. And Fritz did not come back.” Julius nodded. “It is a thing you have to suffer. But what matters is that one of you came back—that we did not lose a year out of the brief time we have. We all have to learn to live with our losses, and to use our regrets to spur us on in the future.” He put a hand on my shoulder. “It is because I know you that I can say you did well. You will remember it, but you will remember my criticism more clearly and for longer. Isn’t that true, Will?” “Yes, sir,” I said. “I think it is true.” • • • The three of us—Henry, Beanpole, and I—met at a place we had found where there was a fissure high up in the rock, through which a little weak daylight filtered—just about enough for us to make out each other’s faces without the need of lamps. It was some distance from those parts of the caves which were in general use, but we liked going there because of the reminder that the world outside, normally only glimpsed during guard duty at one of the entrances, really did exist: that somewhere there was light and wind and weather, in place of this static blackness and the rumble and whisper and drip of underground water. One day, when there must have been a violent storm blowing outside, a fine mist of rain was driven through the crack and filtered down into our cave. We turned our faces up to it, relishing the cool dampness, and imagining we could smell trees and grass in it. Henry said, “I’m to go across the western ocean. Captain Curtis is taking us, in the Orion. He will pay off his crew in England except for the one who is false-Capped like himself, and those two will sail her down to a port in the west of France, where we shall join them. Six of us. The land we are going to is called America, and the people there speak the English tongue. What about you, Will?” I told them briefly. Henry nodded, clearly thinking his own the better and more interesting mission. I agreed with him in that; but I did not care much either. Henry said, “And you, Beanpole?” “I don’t know where.” “But they’ve allocated you, surely?” He nodded. “To the research base.” It was what one should have expected. Beanpole, obviously, was the sort they would need to work things out for the attack against the Masters. The original trio, I thought, really would be split up this time. It did not seem to matter a great deal. My mind was on Fritz. Julius had been quite right: it was what he had said in criticism that I remembered and, remembering, was shamed by. With another week or so to prepare, we might both have escaped. It was my carelessness that had precipitated matters and led to Fritz being trapped. It was a bitter thought, but inescapable. The other two were talking, and I was content to let them. They noticed this in time. Henry said: “You’re very quiet, Will. Anything wrong?” “No.” He persisted. “You’ve been quiet altogether lately.” Beanpole said, “I read a book once about those Americans to whose land you will be going, Henry. It seems that they have red skins, and go about dressed in feathers, and they carry things like hatchets, and play on drums when they go to war and smoke pipes when they want to be peaceful.” Beanpole was usually too much interested in objects—in the way they worked or could be made to work—to pay any great attention to people. But I realized that he had noticed my unhappiness and guessed the cause of it—after all, he had shared with me the vain wait outside the City, and the journey home—and was doing what he could to distract Henry from questioning and me from brooding. I was grateful for that, and for the nonsense he was talking. • • • There were many things to do before I could set off. I was instructed in the ways of a packman, taught something of the language in the countries I would visit, advised on how to set up resistance cells and what to tell them when I moved on. All this I took in conscientiously, and with a determination to make no mistakes this time. But the melancholy I felt did not lift. Henry left before I did. He went in high spirits, in a party that included Tonio, who had been my sparring partner and rival before we went north to the Games. They were all very cheerful. It seemed that everyone in the caves was, apart from me. Beanpole tried to cheer me up, but without success. Then Julius called me to see him. He gave me a lecture on the futility of self-recrimination, the importance of realizing that the only good lesson to be learned from the past was how to avoid similar errors in the future. I listened, and agreed politely, but the black mood did not lift. He said then: “Will, you are taking this the wrong way. You are someone who does not easily bear criticism, and perhaps least of all from yourself. But to settle into such a mood is something that makes you less capable of doing what the Council requires of you.” “The job will be done, sir,” I said. “And properly this time. I promise that.” He shook his head. “I am not sure that such a promise will serve. It would be different if you were of Fritz’s temper. Yes, I will speak of him, even though it hurts you. Fritz was melancholic by nature, and could tolerate his own gloom. I do not think this is so with you, who are sanguine and impatient. In your case, remorse and despondency could be crippling.” “I shall do the best I can.” “I know. But will your best be enough?” He looked at me, in slow scrutiny. “You were to have started your journey in three days’ time. I think we must delay it.” “But, sir . . .” “No buts, Will. It is my decision.” I said, “I am ready now, sir. And we do not have the time to waste.” Julius smiled. “There was something of defiance there, so all is not lost. But you are already forgetting what I said at the last assembly. We cannot afford false moves, or plans or people who are not fully prepared. You will stay here a while longer, lad.” • • • I think I hated Julius in that moment. Even when I had got over that, I was bitterly resentful. I watched others leave, and chafed at my own inactivity. The dark sunless days dragged by. I knew that I must change my attitude, but could not. I tried, attempting to put on a false cheerfulness but knew no one, Julius least of all, was deceived. At last, though, Julius called me back. He said, “I have been thinking about you, Will. I believe I have found an answer.” “May I go, sir?” “Wait, wait! As you know, some packmen travel in pairs, for company and so as to protect their goods better from thieves. It might be a good idea for you to have such a companion.” He was smiling. Angry again, I said, “I am well enough by myself, sir.” “But if it is a question of going with another, or staying here—which will you choose?” It was galling to think that he regarded me as unfit to be sent out on my own. But there was only one answer that it was possible to give. I said, not without sulkiness, “Whatever you decide, sir.” “That’s good, Will. The one who is to go with you . . . would you like to meet him now?” I could see his smile in the lamplight. I said stiffly, “I suppose so, sir.” “In that case . . .” His eyes went to the dark shadows at the edge of the cave, where a row of limestone pillars made a curtain of stone. He called: “You can come forward.” A figure approached. I stared, thinking that the dimness of the light must be deceiving me. It was easier to disbelieve my eyes than to accept that someone had come back from the dead. For it was Fritz. • • • He told me later all that had happened. When he had seen me plunge into the river that led out of the City, under the Golden Wall, he had returned and covered my traces as he had said he would, spreading the story that I had found my Master floating in his pool and had gone right away to the Place of Happy Release, not wishing to live once my Master was dead. It was accepted, and he was ready to make the attempt to follow me out. But the hardships he had suffered, together with the extra exertions of the night we had spent searching for the river, had taken their toll. He collapsed a second time, and a second time was taken to the slaves’ hospital. It had been agreed that, if I got out, I should wait three days for him to follow. More than that time had passed before he was fit even to rise from his bed, and he thought therefore that I would have gone on. (In fact, Beanpole and I waited twelve days before despair and the coming of the snow drove us away, but Fritz could not know that.) Believing this, he began, as was typical of him, to think the whole thing through again, slowly and logically. He guessed that the underwater plunge through the City’s outlet vents must be difficult—it would have killed me if Beanpole had not been on hand to fish me from the river—and knew the weakness of his own condition. He needed to build up strength, and the hospital offered the best chance of doing that. While he was there, he could avoid his Master’s beatings and the heavy tasks that normally were laid on him. He must, of course, be careful not to arouse suspicion that he thought differently from the other slaves, which meant that he had to calculate with care the length of time he could stay. He made it last a fortnight, shamming, for the others, a weakness which increased rather than diminished as the days went by; and then, sorrowfully, declared that he realized he could no longer serve his Master as a Master should be served, and so must die. He left the hospital late in the day, heading toward the Place of Happy Release, found somewhere to hide till night fell, and then made for the Wall and freedom. At first, all went well. He came out into the river on a dark night, swam exhaustedly to the bank, and went south, following the route we had taken. But he was a couple of days behind us, and fell further behind when a feverish chill forced him to lie for several days, sweating and starving, in a farmer’s barn. He was still desperately weak when he started again, and not long after was halted by a more serious illness. This time, fortunately, he was found and looked after, for he had pneumonia and would have died without care. A lady took him in. Her son, some years before, had turned Vagrant after his Capping. She cherished Fritz because of that. At last, when he was well and strong, he slipped away and continued his journey. He found the White Mountains swept by blizzards, and was forced to hide out near the valley villages for some time before he could make his way painfully up through deep snow. At the Tunnel, he was challenged by the single guard that Julius had left there, just in case. The guard had led him, that morning, to the caves. All this I heard from him later. At the moment of our meeting, I merely stared, incredulous. Julius said, “I hope you and your companion will get on together. What do you think, Will?” Suddenly I realized I was grinning like an idiot.

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Product details

Age Range: 9 - 13 years

Grade Level: 4 - 8

Lexile Measure: 970L (What's this?)

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Series: The Tripods (Book 3)

Paperback: 272 pages

Publisher: Aladdin; Reissue edition (August 12, 2014)

Language: English

ISBN-10: 1481414798

ISBN-13: 978-1481414791

Product Dimensions:

5.1 x 0.8 x 7.6 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#245,459 in Books (See Top 100 in Books)

I was happy that men had defeated the Masters. In the end I was sad to see the same old arguments that man has with people from other countries. We all need to get along with each other. In the end I was happy to find that Will, Fritz, and Beanpole would work for the betterment of the human race. I really enjoyed this entire trilogy and this last book was well written and made one think about the future of Mankind.

Read this series as a young adult and again, recently, in my 50's. It was completely engaging as a "tween," not quite so much as an adult. But it was still nice to revisit the story. I was surprised by how much I had forgotten.

I thought this book was ok; not as good as previous two installments... The main complaint is that there wasn't a great deal of buildup or suspense, it all seemed too easy. The main climax comes about halfway through and then there is a fairly long falling action that finishes things off, and has its moments, but still feels like an afterthought. Then the denoument is realistic I suppose but not very satisfying. It's hard to get more specific without giving away details of the story.Overall I feel like the author was at his best in "The White Mountains" where there was a sense of journey and adventure, and a sense of mystery and unknown about the Tripods. "City of Gold and Lead" lifts the veil on the mystery and is very imaginative and atmospheric. In this book, the mystery is already revealed, and rather than a journey, it's just about getting a job done. Also I found our protagonist more annoying this time around, like everyone else is growing up around him and he's still a bit insufferable

Part of an excellent series that is now overlooked. A great read!

Love John Christopher!

Loved this book as a young teenager, and now in my late 30's I still enjoyed the story. Totally recommended

Very good young adult scifi

:)

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