Wednesday, May 23, 2012

Get Free Ebook , by Tory Baker


Get Free Ebook , by Tory Baker

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, by Tory Baker

Product details

File Size: 1311 KB

Print Length: 98 pages

Publication Date: April 5, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07BZG4JGY

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Amazon Best Sellers Rank:

#15,475 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Short, sweet and full of heat, Tory Baker does it again with a May-December instalove quickie. Lightning strikes for general contractor Dex when he sees Emma for the first time, and he pulls out all the stops to win over the woman he knows is the one. Dex’s caveman routine may reduce Emma to stuttering and stumbling but it doesn’t take long to convince her that they’re meant to be.

That was fun, funny, and sweet. The Hero knows his woman when he sees her. Our delicate heroine manages to stand up for herself when necessary, but agrees with her man too. The two of them are sweet together. Enjoyable read.

Super naughty and super sweet, it was awesome and I loved it so much! ^_^

Great book

I did not like this book...at all! The male protagonist was very antagonistic. The whole story he was overly "Alpha male" and verbally abusive to the female lead. The whole book was based on doing everything he wanted and nothing she wanted. I kept thinking he was going to hit her. She got out of one abusive relationship with her parents and got right into this abusive relationship with Dex. Emma was presented as a shy, yet strong young woman, but she wasn't strong at all. The severe age difference is another turn off. This whole book put me in a very bad mood. I'm fine with the whole alpha male thing, as long as there is an alpha female along side him.

3.5 StarsThis book wasn't too bad. This was a very quick Insta love romance, it is the story of Dex and Emma.I had a few problems with it one being the age difference, he was 32 and she was 19. I usually don't have a problem with age differences but she came off as a little too innocent. Second I really wanted to know how long he was celibate for, this is just a preference for me. It stated that it had been a while but isn't specific. I liked Dex! He was definitely an OTT sexy alpha male! This is the first book that I have read from Tory Baker and I will definitely read more from her!

It was cute. Dex was very alpha, but not abusively so.... Like bratty almost? Ha - he wanted everything at lightning speed. I liked him. Emma was cute if a bit too silly. "Dex honey" It was too much. Either say his name or an endearment... Both seemed awkward. Which she was but... I don't know. It didn't flow.Dual POV but it felt like it was mostly him which I don't mind. Decently edited.With just this, I would have given a solid 4 stars but it didn't have an epilogue. This is a preference of mine, especially with short stories... I want to sneak a peek at the HEA. I'll definitely read the author again. Sweet & quick weeknight read.

Short, sweet, safe and some steam. That's what I was looking for and that is what I got with this story. I love the blue collar hero falling in love at first sight with the sweet girl next door.-no cheating-no pushing away-instalove-older man/younger woman-safe - neither are with anyone else after meeting-no om drama-OW drama- an old FB shows up and causes some grief. Could have done without that.-just ok epilogue. It was only 3 months out so not nearly enough to satisfy me

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Wednesday, April 18, 2012

PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris


PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris

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Simple Times: Crafts for Poor People, by Amy Sedaris

Simple Times: Crafts for Poor People, by Amy Sedaris


Simple Times: Crafts for Poor People, by Amy Sedaris


PDF Ebook Simple Times: Crafts for Poor People, by Amy Sedaris

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Simple Times: Crafts for Poor People, by Amy Sedaris

About the Author

Amy Sedaris has appeared in several movies and television shows, and, with Paul Dinello and Stephen Colbert, is a co-author of the novel Wigfield. She also co-wrote Strangers with Candy, the hit show on Comedy Central. She lives in Manhattan.

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Product details

Paperback: 304 pages

Publisher: Grand Central Publishing; Reprint edition (November 1, 2011)

Language: English

ISBN-10: 9780446557047

ISBN-13: 978-0446557047

ASIN: 0446557048

Product Dimensions:

8.5 x 1 x 10.1 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

196 customer reviews

Amazon Best Sellers Rank:

#173,207 in Books (See Top 100 in Books)

Amy sedaris. What can you say? She's hilarious. She's a beautiful women. She's not comfortable in this world. What genius really is?

I get the feeling that Amy Sedaris is simply telling us about her actual life, and we interpret it as humor. That's part of the charm. Also some of these craft ideas are probably actually worth doing.

She is sooo funny, and has the same humor as her brother, David Sedaris. But in a different style...it can be enjoyed by simply browsing through it. You wouldn't really sit down and read it cover to cover.The quality of the pages is really high, so it's fun to page through it. I was surprised by this, considering how cheap it was.She has another book too, which I've also purchased. They are equally great.

If you are looking for an actual craft book, this is not one. I thought this would have actual cute crafts to work on but it is really just funny commentary by Amy Sedaris and Paul Dinello. I'm a big fan of Amy Sedaris, so if you love her humor-which is not for everyone- you will love this book. It's packed with pictures and drawings which are awesome, and of course they are hilarious but if you're looking to do crafts, this doesn't offer much at all. For example, "Love Chimes" for your lover were a bunch of rusty nails strung together! I have the book in my living room and people love to flip through it and laugh - or wonder what kind of weirdo I am. :)

I pulled this book out of it's mailer face down, so the first thing I saw was Amy Sedaris in a crafted indian squaw outfit standing in front of a redskin habitat, holding a pipe of some kind.. I literally was laughing before I even opened the book! What amazes me is the level of detail in the photos! There are very subtle elements that are full on 100% Sedaris, and keep me rolling as I find something new every time I look. I don't know how she does it, but I love it. She can be the envy of any burned out elementary school teacher and a sadistic comedian simultaneously. Bipolar entertainment at its finest.

Seriously, I laughed so hard I peed, probably because it is a combination of the most inane things that I sometimes think and am shocked to see someone else thought too and the fond memories I have of awful 20 year old crafting books my crazy Aunt Caro use to send me every year for Christmas. Love you Aunt Caro! I bought it for my assistant because of our mutual love of Amy's brother, David Sedaris' writing and her love of crafting. When I got home I started to look through it and then read it cover to cover and laughed, cried and peed, the entire time. This can be a book for those who take crafting and themselves serious, but never at the same time and never so much that they can't laugh at either. Just when you think that she has out done herself she has something more outlandish on the very next page. I can't say that after reading this I plan to go out and make any of the crafts she has suggested except for Moses' Comb Sheath! Thank you Amy for making me pee my pants!

This is very much in the spirit of Amy Sedaris's online show At Home With Amy Sedaris. The biggest joy is the contrast between the format of a familiar craft guide from the 70s with the serious, authoritative writing --- and the absurd nature of the craft projects and inept execution. It's lavishly and lovingly illustrated with photos of tacky recycled bottlecaps, suspicious strips of burlap and lurking acorns, and contains frighting suggestions about what to do with same. For the Pinterest Fail in your heart.

Amy Sedaris is so funny and this book offers so many fun crafts that are sure to leave your life improved substantially.

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Sunday, April 8, 2012

PDF Download Thomas Jefferson


PDF Download Thomas Jefferson 

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Thomas Jefferson 

Thomas Jefferson 


Thomas Jefferson 


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Thomas Jefferson 

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

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Audible Audiobook

Listening Length: 7 hours and 34 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: May 7, 2013

Whispersync for Voice: Ready

Language: English, English

ASIN: B00COKEDGQ

Amazon Best Sellers Rank:

This is an extremely basic and simple 192 page summary of the life and accomplishments of Thomas Jefferson. In that context, it is perfectly acceptable. For the life of me, however, I don't see how this could be rated a five (or even four) star effort.If you give this 5 stars, what do you give Truman, or John Adams or War and Peace? When you go to your average Holiday Inn, do you give it five stars? If so, what is a Four Seasons or Ritz Carlton? Do you award the gold medal to a diver who does a perfectly executed swan dive? Degree of difficulty must come into play.Having said that, if you're looking for a beginner biography for your junior high student, this would be an excellent selection. If you're interested in the American Presidents series and want to skim the surface of many of our Presidents without going in depth on any of them, this would be the way to go. If you're looking for depth, analysis and context, however, I'd certainly look for more than a 192 page summation.Why then did I purchase this work? I knew what it was when I bought it. I had just finished Ron Chernow's "Hamilton" and had previously read David McCollough's "John Adams". Both of these subjects were rivals and at times bitter enemies of Jefferson. Having been brought up to view Jefferson as a Founding Father of great intellect and importance, it was a little disconcerting to view him through the writing of McCollough and Chernow as a dishonest, venal, calculating opportunist. Chernow, especially, falls into hero worship mode when comparing and contrasting his subject, Hamilton, with Jefferson.In buying this work, I was looking for a more balanced effort without having to invest the time in an 800 page biography which largely recounted the historical events already covered in previously read biographies on Washington, Adams and Hamilton. For that purpose, it was just what the doctor ordered. Unlike Chernow, Bernstein examines his subject warts and all. He acknowledges and doesn't downplay his weaknesses, while at the same time revealing his unquestionable brilliance in many areas.I highly recommend "Hamilton" as an outstanding history lesson and biography of a little appreciated and sometimes disregarded founding father. However, this little tome is a good antidote for the character assassination sustained by Jefferson in the aforementioned work.

This is probably one of the best biographies I've read on a Founding Father. This came with a recommendation from Tom Wood's forum [...] as being a good book on Jefferson.Bernstein presents probably the fairest assessment of a person from the time period as I've seen. He doesn't ascribe deity or hero worship or perfection to the man. He also doesn't disparage Jefferson for being a product of his time and class and society. Bernstein presents Jefferson as a flawed individual who is not always consistent and doesn't always come out on top - also known as "a man".Bernstein takes a look at large periods of Jefferson's life and isn't writing to complete a minutia detailed account of every aspect of his life. However, the areas he does point to build up the man into who he would become, who he was, and how he ended life. Bernstein does reveal quite a bit that you don't learn about in history books or in school because Jefferson tends to be known for only one to two very large things - but he was so much more than those labels only. Bernstein also makes sure the reader understands some of the settings and places and even people surrounding Jefferson. Again, this is covered with a good amount of balance. Jefferson isn't the "man who could do no wrong". I did learn quite a bit about Jefferson, which should be one of the main goals when reading a biography. Bernstein does not shy away, either, of covering points of Jefferson's life like his contradictory position on slavery or his possibly fathering children from one of his slaves. Again, Bernstein, doesn't excuse it but he also doesn't call for readers of the current time to look back and denigrate those who don't hold the same values. Sadly, that's where mainstream conversations and populist books tend to go nowadays.Bernstein does a wonderful job at presenting Jefferson and his history. I highly recommend this book for those wanting to read about Jefferson or the era of the founding of America. I would have liked Bernstein to have gone a bit more into the political discussions Jefferson had with some areas of my own interest. Sometimes he tends to write as Jefferson on one side of the issue, someone else on the other, and here's the outcome. There are times that I wish the author would provide the reasons why Jefferson held to certain positions or had certain interests. However, I believe that may be the hindrance of history rather than the author. Final Grade - A

If you've put off reading a book about our "founding fathers" I would recommend R. B. Bernstein's, "Thomas Jefferson" as a great place to start. Bernstein's book provides a very good, though not detailed, examination of Jefferson's life, reflecting both the good and the bad. It is impossible for a citizen of the U.S. in 2013 to imagine the difficulty and uncertainty the "founding fathers" had in traversing the unknowns of establishing a new nation and a new government system while breaking their connections to England, their homeland. What could inspire and compel men to do such a thing? Bernstein permits us to take a brief look into the minds of several of these early leaders, Thomas Jefferson in particular, to gain a sense of their motivations. In "Thomas Jefferson" we follow Jefferson from his early privileged life in Virginia; his education and his venture into politics, starting at the Virginia Assembly and rising to be Vice President and then President of the United States. Along the way he made mistakes and experienced some of the frailties common to most men but his contributions to our republican form of government set him apart as one of our finest Presidents. Should a reader of this book desire to read further into this period of American political life, Bernstein provides a very good list of references in his Notes and Bibliographical references.

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Wednesday, April 4, 2012

Free PDF Born Just Right (Jeter Publishing)


Free PDF Born Just Right (Jeter Publishing)

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Born Just Right (Jeter Publishing)


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Born Just Right (Jeter Publishing)

About the Author

Jordan Reeves was born just right, and cofounded a nonprofit with the same name. Ever since she was little, this teen has pushed through any expectations and proved she can do anything (except monkey bars). Through her activities and opportunities to speak and mentor other kids with limb differences, Jordan is helping change attitudes around physical differences. Jordan is currently changing what we think of as a superhero and by designing a body enhancement. Her ideas include a 3-D printed prosthetic that allows her to shoot sparkles for her alter ego, Girl Blaster. Jordan has shown off her work on The Rachael Ray Show, MakerFaire, TEDx, and many other events across the country.Jen Lee Reeves is the founder and executive director of Born Just Right. She’s also a mom to Cameron and Jordan. She and her husband, Randy, have learned so much about what it takes to advocate for our children and how powerful it can be when parents work together in advocacy and support in the world of disability. When she isn’t working for Born Just Right, she’s a social media strategist and training consultant with her own consultancy. She also taught at the Missouri School of Journalism and managed an NBC affiliate newsroom. To relax, Jen loves to travel, enjoy sunrise runs in new cities, take photos of the lake in her backyard, and enjoy music and good food with the family.

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Product details

Age Range: 9 - 13 years

Grade Level: 4 - 8

Series: Jeter Publishing

Hardcover: 160 pages

Publisher: Aladdin (June 4, 2019)

Language: English

ISBN-10: 1534428380

ISBN-13: 978-1534428386

Product Dimensions:

5.5 x 8.2 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#474,017 in Books (See Top 100 in Books)

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Tuesday, March 27, 2012

Free Download , by George Wallace Don Keith


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Product details

File Size: 5518 KB

Print Length: 572 pages

Simultaneous Device Usage: Unlimited

Publisher: Severn River Publishing (January 28, 2019)

Publication Date: January 28, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MY8RF25

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Yes, this would make a great film – but the writing made me cringe, for two reasons.First, the author (I assume it was Keith, ghost-writing for Wallace) hasn't the slightest knowledge of foreign languages, not even at the level used in other techno-thrillers. The most glaring blunder is that Keith thinks a Russian character's patronymic is his nickname. Explanation: a patronymic is a name constructed as "child of [father's first name]," and Russians use them as middle names, or more accurately, as extensions of their first names – so that Sergei, son of Ivan, is named Sergei Ivanovich, and Alexander, son of Sergei, is named Alexander Sergeyevich. But throughout the novel, Keith consistently has the character Sergei addressed in dialog as "Sergeiovich" instead of Seryozha or Seryoga (nicknames for Sergei), and Alexander addressed as "Alexanderovich" instead of Sasha (nickname for Alexander/Aleksandr). Other annoyances include having his Russian characters say "clicks" -- American slang -- for kilometers; having a Frenchman address a Russian admiral as “Admirale,” when the French word for admiral is “amiral”; naming a Russian character “Anatol” – confusing the Russian name Anatoly with the French name “Anatole”; and giving a Russian male the name Ludmila, which is a girl’s name. He has a character comment “ne kulturny, no culture,” when the correct language is the single word nekulturny, an adjective meaning uncultured (actually an insult whose real meaning is boorish/low class). But maybe the worst howler is when he tries to pluralize the Russian word for warrant officer (anglicized as "michman") as "michmen" (when the plural, anglicized, is "michmanny.")(In their previous novel, Final Bearing, they had the Colombian crime boss, the jefe (chief, pronounced “HEFFay”), addressed in dialog, every time, as “El Jefe” instead of “Jefe” – like saying “hello, the boss” instead of “hello, boss.” Ugh.)Second, Keith seems to have done no research, guessing at words he doesn't know. For example, he consistently writes "explosive squid" when he means explosive squib; he calls a helicopter’s collective (control lever) the “collector”; he consistently calls the Russian parliament the "Dumas" when it's the Duma; he writes "Keklivek" when he means "Keflavik" (Iceland); and he writes "Skattegat" for the Scandinavian waters that are either the Skaggerak or the Kattegat. He has an American character say “…there are only a couple of countries in Artic winter right now. Canada and Norway are allies… that leaves Russia” – thereby making Finland and Sweden disappear from the globe. And he writes of “Scotch whiskeys,” when the proper term is “Scotch whiskies.” (FYI, it’s “whiskey/whiskeys” for the American and Irish varieties, and “whisky/whiskies” for the Scotch, Canadian, and Japanese types.) Finally, he should know that the word “none” – meaning “no one” – is singular, not plural.There’s actually a third problem – plot deficiencies at the end of the novel – but that would take too long to explain.-- Sam C., New Hampshire

As a retired submariner TMCS(SS) and COB from a 637 class submarine, it bring back many fond memories from the attack submarine force. They were the workhorses during the "Cold War".

The author had a good feel for the stresses of a sub captain. Great yarn on drug interdiction.

This book is a great read. The author weaves together submarine tactical operations, SEAL mission execution, and police detective activities to form a contemporary plot of drug trafficking warfare. Throw in a little anti-submarine warfare, aggravating maintenance issues of old submarines, and inner workings of a drug cartel to bond the plot together makes this a compelling read. The realistic adventure holds the reader’s attention on each page as good and bad events occur to affect the mission causing hard decisions along the way. I highly recommend this for those interested in submarines and naval warfare as well as anyone who likes a great adventure featuring modern heroes.

..the style of writing and the Story ! Recommend!!

No problems

Can't wait for his next book. I've read them all and am hooked!!! They are so vivid, I feel like I'm there observing.

If you like this type of military action which i find extremelygood then you will really enjoy this book. The authors reallykeep you reading and its hard to put the book down. Wouldrecommend this book to all readers for action and suspense.

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Tuesday, March 20, 2012

Ebook Foreign Element


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Foreign Element

Product details

Paperback: 102 pages

Publisher: Precis Intermedia (January 2, 2015)

Language: English

ISBN-10: 1938270908

ISBN-13: 978-1938270901

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8 x 0.2 x 10 inches

Shipping Weight: 10.1 ounces (View shipping rates and policies)

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Friday, March 9, 2012

Get Free Ebook The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara


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The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, by Mallory O'Meara

Review

“Captivating and exhaustively researched…This is a fascinating slice of Hollywood history with a feminist slant, correcting a sexist wrong from decades ago and restoring Patrick to her rightful place of esteem.” —Publishers Weekly (starred review)"Mallory O'Meara's book is a long-overdue tribute to Milicent Patrick, who made her way in Hollywood when women were never given equal standing. Patrick, an artist, actor, and colorful hostess, had an incredible life, and O'Meara lets us know the good and the bad of it." —Charlaine Harris“The Lady From the Black Lagoon is not just a story that needed to be told, the exact right person told it. At some point, the book starts to resemble troika dolls: echoes of Milicent Patrick’s life can be heard in Mallory O’Meara’s life, and echoes of Mallory’s can be heard in ours, the readers. It’s then that you realize how profound this book really is.” —Josh Malerman, author of Bird Box“There's never a dull moment in this beautiful, heartfelt tribute to a pioneering special-effects designer and animator and passionate call for change in the industry that forgot her.” —Booklist, starred review"Particularly timely in light of the #MeToo movement... Enganging [and] forthright." —Library Journal"With THE LADY FROM THE BLACK LAGOON, Mallory O'Meara has performed true magic. It's a non-fiction detective story, with O'Meara chasing the mystery of how the woman who designed one of cinema's most famous monsters was erased from movie history. It's an intimate, personal quest, and an irrefutable indictment of Hollywood sexism both past and present. It's a love letter to monsters, and to those of us who cherish them. Even if you're not a regular non-fiction reader, you owe it to yourself to read this book. You'll thank me later." —Christopher Golden, New York Times bestselling author of Ararat and The Pandora Room“The woman behind the classic monsters of our collective Hollywood fantasies finally comes to life within this compelling odyssey of betrayal, broken dreams and shining resilience. Spanning the worlds of film, animation, horror and glamour, Mallory O’Meara richly reweaves the splintered mystery of Milicent Patrick into a dead-on expose of Hollywood then and now. Dive in!” —Mindy Johnson, author of Ink & Paint: The Women of Walt Disney's Animation“An idiosyncratic, much-needed biography of ‘a woman before her time’… this passionately written biography will do much to bring Patrick the recognition she deserves.” —Kirkus Reviews"The Lady from the Black Lagoon is a celebration of the life and shamefully overlooked work of Milicent Patrick. It's also an unflinching, from-the-front-lines recounting of Hollywood's toxic patriarchal culture, a history of all manner of monsters. You'll be infuriated at the legacy of continuing injustice but inspired by the talent, will, and spirit of Milicent Patrick and Mallory O'Meara." —Paul Tremblay author of A Head Full of Ghosts and The Cabin at the End of the World"Like many women film pioneers, Milicent Patrick's trailblazing creature design and special make-up effects work has largely gone unrecognized, overlooked or even attributed to men. The Lady from the Black Lagoon shines a vital light on one of the unsung women heroes of cinema." —Jovanka Vuckovic, author of Zombies! An Illustrated History of the Undead“O'Meara's deep dive into this unfairly-forgotten genius of character creation enriches Hollywood history and should inspire future lady monster-makers for years to come.” —Sam Maggs, author of Girl Squads and Wonder Women“At times laugh-out-loud funny, at others deeply moving, this engrossing book challenges the reader to look beyond what they think they know to see the secrets those in power have tried to bury.” —Alexandria Brown, Librarian and author of Hidden History of Napa Valley“The movie business is full of secret and forgotten histories. In The Lady from the Black Lagoon, Mallory O’Meara dives deep into one of these tales. She tells the story of Milicent Patrick, who designed an iconic monster and was an important Disney animator at a time when women were more tolerated than celebrated. Weaving strands of Hollywood lore with Patrick’s biography and her own personal history, O’Meara has written a book that’s as entertaining as it is necessary.” —Richard Kadrey, author of Hollywood Dead

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About the Author

Mallory O'Meara is an author, screenwriter and a producer for the independent film company Dark Dunes Productions. Whether it is for the screen or the page, she seeks creative projects imbued with horror and monsters. A New England native, she now lives in Los Angeles.

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Product details

Hardcover: 336 pages

Publisher: Hanover Square Press; Original edition (March 5, 2019)

Language: English

ISBN-10: 1335937803

ISBN-13: 978-1335937803

Product Dimensions:

6.1 x 1.2 x 9.3 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#2,111 in Books (See Top 100 in Books)

I work in the film industry. And, yes, I've seen first-hand the kind of discrimination against woman that Mallory O'Meara reveals in "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick."Women are slighted, overlooked, under valued and under compensated every day and not just in the film industry. Even today this kind of discrimination is rampant in many industries, so Mallory O'Meara does well to devote her book to this issue. The book is even more of a spotlight because O'Meara highlights the work and career of Milicent Patrick. Patrick was a wonderfully creative makeup artist, special effects designer and animator. She was the first female animator at Walt Disney Studios and the creator of the Creature from the Black Lagoon. And she was totally disregarded, never received the credit due to her and has largely been forgotten by history.My problem with the book is that the subject material is much too close to O'Meara. This causes rage and anger to infect her writing. She has every reason to feel strongly as she has been victimized in many of the same ways as the subject of her book. However, a writer needs a degree of detachment to effectively deal with a subject--especially one as fragrant as the treatment of Patrick and, yes, even O'Meara herself. This turns the book into a more of a vendetta than a exposure of a wrong that continues to be done.Hollywood is laden with discrimination. As an older actor, I see it every day. It needs exposed, it needs refuted and it needs to be corrected. I'm just not sure that "The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick" will accomplish that noble purpose.

In the 1950s, a young artist and background performer of various film roles designed what is easily the most visually arresting of the Universal horror movie monsters. Employed in the special effects shop at Universal Studios, Milicent Patrick created the Gill Man for the 1954 film, Creature from the Black Lagoon. While her creation would become one of the most recognizable and iconic movie monsters in cinema, Patrick would unfortunately become lost to history as her supervisor’s jealousy, rampant sexism in the film industry, and a total lack of proper crediting of filmmaker’s roles in 1950s, all worked together to obscure and all but eliminate her legacy.Thankfully, film producer, author, Milicent Patrick fan, and Creature from the Black Lagoon obsessive, Mallory O’Meara has stepped in to unearth Patrick’s forgotten history and set the record straight with her wonderful The Lady from the Black Lagoon. Given the unfortunate state of obscurity Patrick fell into, O’Meara certainly had her work cut out for her. Luckily, she’s a dogged investigator and was able to piece together Patrick’s puzzling history through a whole lot of archival research, industry contacts, and interviews. Over the course of her writing, O’Meara notes the various confluences that have randomly, surprisingly, and unknowingly linked her to Patrick over the course of her life. There’s a certain sense of destiny at work in these moments that are quite charming and really make you root for O’Meara’s efforts to uncover and reveal Milicent’s buried history.The Lady from the Black Lagoon is meticulously assembled and presents a candid and honest representation of O’Meara’s personal hero without being slavish or overly fannish. And make no mistake, O’Meara is most certainly a fan, one who even sports a tattoo on her arm of Patrick and the Creature. She is wholly devoted, though, to teaching us about Patrick’s life, warts and all. I knew hardly anything at all about Milicent Patrick going into this book, but it’s safe to say I’m certainly a fan now, too.Patrick is a vitally important figure in film history, and not just because of what she’s created, but what she could represent for future generations of women in the arts. Patrick is the first and only woman to have ever designed an iconic movie monster. Think about that. In almost 65 years of cinema, there has not been another notable creature designed by a woman. And over those same 65 years, men and history have sought to completely eliminate Patrick’s role in designing the Creature, giving sole credit to her manager, Bud Westmore, who ran the special effects shop at which she was employed.Throughout the course of The Lady from the Black Lagoon, O’Meara writes with firey passion at the injustices perpetrated upon Milicent Patrick. She’s angry, and rightfully so. Hell, I’m mad right now just thinking about all the various issues raised over the course of this book’s 300-plus pages. And if you have any kind of a conscious or sense of fairness, this book will justifiably tick you off, too.While uncovering the history of Patrick’s legacy is clearly a passion project for O’Meara, The Lady’s focus is not limited solely to the special effects artist. O’Meara’s research places Patrick within the context of her time, but the author smartly compares those issues of 1950s sexism and male domination over Hollywood to the present day, within the scope of the #MeToo era. It’s sad and disgusting just how little has changed in six decades, and how fully sexist, male elitism still thrives within Tinseltown. O’Meara doesn’t bother hiding her anger and these injustices, and more power to her. She, too, has been objectified countless times, as has every other woman working in Hollywood. At one point she relates a personal story of, as a producer for Dark Dunes Productions, having cast a male actor to voice a character for one of their films. Upon meeting O’Meara and seeing her green-dyed hair, he immediately volunteers to help dye her pubic hair. Incidents like these are not rare in Hollywood, and O’Meara reports that every single woman she knows in the film industry has many, many, many stories like hers.The toxic environment that defined the 1950s era of filmmaking is alive and well in present day, and 65 years later, O’Meara has found far too many similarities between her own experiences and those that utterly destroyed Patrick’s career. As O’Meara writes in her introduction, “It’s not just her story. It’s mine, too.” Sadly, it’s the story of every woman in Hollywood then and now, present-day, right now, right this minute. The jealous claims to fame that Bud Westmore latched on to and used to ruin Patrick’s career and her future in special effects are hardly a thing of the past. In 2017 and 2018 we saw, first-hand, women finally speaking out, publicly and openly, about the sexist state of their industry, the decades of abuse they’ve had to endure from repulsive figures like Harvey Weinstein. It’s a serious issue that demands exploration and rectification, as well a reclamation for the histories of women that were ruined solely to appease or protect powerful men.How many other women have played vital roles behind the scenes in Hollywood, only to have their contributions covered up or credited to their male counterparts? How many women around the world have been denied representation, denied even the idea that they, too, could create horror icons or work in the special effects industry? The fact that all of the most well-known special effects artists are men “didn’t seem strange to me,” O’Meara writes. “It was status quo. … I had never seen myself reflected in the world of horror filmmaking. The possibility of it never crossed my mind.” When she began writing The Lady from the Black Lagoon in 2016, 96% of that year’s films were directed by men, only a four percent difference from the 100% of male directed films of 1954 when Creature from the Black Lagoon was released. “It’s harder for women to get into Hollywood than it is for us to get to space,” she writes, nothing that sixty women have been to space between 1983 to now, but that only one woman, Kathryn Bigelow, has ever won an Oscar for Best Director in 2010. Their roles in front of the camera are little better, with the vast majority of speaking roles going to men, with the film leads being men, with the action heroes being men, with the monsters being men, and the artists creating the monsters being men. Characters like Ellen Ripley and Buffy Summers are not the norm; they are outliers and few and far between at that. When women are able to break through the male domination of Hollywood, they are routinely questioned on how they landed any given job, with the automatic assumption being that they slept with their boss rather than worked hard and were actually talented. No, even then, the automatic default for a woman in Hollywood is to be reduced to nothing more than a sex object. It’s repulsive and infuriating.The Lady from the Black Lagoon is a necessary read and a vital contribution to our society’s (sadly) on-going discussion on issues of representation and equality. It’s a much deserved biography of an important, and overlooked, woman and her contributions, but it’s also a hell of a lot more than just an accounting of Milicent Patrick’s history. O’Meara takes note of the historical injustices that beset Patrick and explicitly shows us how little we’ve progressed societally and with women in film, and by tackling these issues of rampant sexism in cinema, she’s raised the bar in terms of awareness and combating these issues with her outspokenness. Speaking as a man, if there are any male readers out there bemoaning all this, my only advice to you is to simply shut the hell up and listen, because you should be learning from these women and their experiences and working hard at being better.[Note: I received an advance copy of this title from the publisher via NetGalley.]

I give O'Meara a lot of credit for tackling this subject. It's clear from the details of her search that finding good, correct information about Millicent Patrick was not easy. O'Meara has collected a tremendous amount of evidence for her biography, and her portrait of Patrick is vibrant and enjoyable.Having spent a lot of time reading academically, I was initially put off by the conversational tone and glib notes that O'Meara peppers throughout her writing. However, after considering that the target audience for the book is probably horror hobbyists, those who are far removed from the classic horror she's writing about and encounter it only as artifacts of the past - I think it may be merited. It certainly makes it easy to read. It's not a dry and highly annotated scholarly work and does not set itself out as such.There's also a potent combination of O'Meara's own experiences with the older content. Including modern instances of discrimination, unpleasant or unprofessional behavior and harassment was a bold choice given how often such claims are minimized and dismissed by people who have a vested interest in continuing the status quo. The examples serve to make the harassment and objectification that Patrick experienced feel more fresh and relevant, so ultimately I think they do more good than harm.Over all this was an enjoyable ride. What it lacked - and it desperately needs - is photos. I'm not sure whether they will be included in the final release of the book but I hope that they will. I had to read with my phone in hand. Thankfully Patrick has become somewhat of a cause célèbre over the last year or two, and many blogs and articles cite her work on the Creature and other projects, including photos of her at work, or the famous press tour photos of her posing with props.

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