Free PDF Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol), by Breanne Fahs
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Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol), by Breanne Fahs
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From Booklist
The radical feminist author Valerie Solanas (1936–1988) ensured her “fifteen-minutes of fame†when she shot artist Andy Warhol in his New York studio in 1968. The shooting brought notoriety to Solanas’ SCUM Manifesto, a brash, aggressive, and startling touchstone for feminism, which celebrated “gender dystopia†and urged total government overthrow as well as the “complete elimination of the male sex.†Biographer Fahs recounts the way Solanas symbolized the anger and contentious climate of the era’s sexual politics and, through her public trial, became a polarizing force for NOW and the feminist movement. Relying on letters and first-person interviews, Fahs thoroughly traces the fractured narrative of Solanas’ life and her ongoing mental illness, while never dismissing the fiery brilliance of her ideas. We follow Solanas from prostitution at the Chelsea Hotel to incarceration at Bellevue Hospital; from Black Panther meetings to performances at Warhol’s Factory and publishing negotiations at the Village Voice. Fahs’ account paints a vivid picture of the chaotic 1960s milieu, paralleling Solanas’ personal struggles with the seeming collective madness of her counterculture setting. --Lindsay Bosch
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Review
“There’s no question that Solanas’s belief in the necessaity of theorizing “from the gutter” would have her denouncing today’s inclusive, increasingly professional landscape of feminism. But perhaps she can rest easier (if not in peace) knowing that Fahs has painted a sympathetic portrait of her uncompromising life that—for better and worse—wears its powerful ugliness on its sleeve.” —LA Review of Books“Solanas was a revolutionary artist, and the more time passes, the more significant and prescient her revolution appears to have been, which is in many ways all she ever cared about. How magnificently powerful, to maintain humor, insight, and self-confidence in the face of so much violence. A biography of Valerie Solanas then, hell yeah. You should go read her manifesto and then you should go read this.” —The Brooklyn Rail"Rather than focusing on the Warhol shooting, Fahs gives a refreshing degree of weight to not only SCUM Manifesto—and its contribution to the birth of radical feminism—but also to Solanas’s earlier writings and creative pursuits, such as her playwriting and attempts at publishing in periodicals. Fahs, who interviewed her subject’s family, friends, enemies, as well as Warhol associates, doesn’t shy away from how hated and feared Solanas was by many feminists of the era, such as Betty Friedan, but she portrays Solanas as melancholy, warm, and emotionally broken, as well as violent and combative. While some characters pop up and drop away depending on their relevance to Solanas’s life in the moment, giving a disjointed feel to the narrative, Fahs ably fills a notable gap in feminist history with this accessible volume." —Publishers Weekly"Valerie Solanas is a biography of a compelling, charismatic, contemptible, and incorrigible woman. It is a biography of the effects of class in the United States on one woman’s life. It is also the biography of an artist. Fahs ends with Solanas’s own words from her 1977 corrected SCUM Manifesto: 'The true artist is every self-confident, healthy female; and in a female society, the only Art, the only Culture, will be conceited, kookie, funkie females grooving on each other, cracking each other up, while cracking open the universe.'"—Lambda Literary Review“This is an astonishing book about an astonishing life. It is a stark epic of a woman who was a symbol in and of an era. Valerie Solanas tells us many of the brutal facts of Valerie’s existence, both before she exploded onto the scene in New York in the mid to late 1960s, as well as afterward. She was larger than life: a genuinely heroic figure. What I appreciate most about Fahs’s biography is that Valerie Solanas emerges with a dignity that escaped her in life.” —Ti-Grace Atkinson, author of Amazon Odyssey“Valerie Solanas was an enigma, an outsider even among misfits, and one of the most shocking radicals in a decade teeming with them. Breanne Fah’s book is a long overdue excavation of the obsessions, paranoia, and rage that fueled both Solanas’s visionary manifesto and her appalling attempt to murder Warhol.” —Cynthia Carr, author of Fire in the Belly: The Life and Times of David Wojnariowicz“Finally, a biography of Valerie Solanas that does justice to her brilliant SCUM Manifesto and tragic life. In this narrative, Andy Warhol no longer defines who Valerie was. Breanne Fahs has written a compelling masterpiece sure to become a classic.” —Roxanne Dunbar-Ortiz, author of Outlaw Woman“Breanne Fahs delivers the crucial backstory behind the deadly yet relevant aims of premier cultural deviant, Valerie Solanas, whose often indefensible edges, war cries, and logic of injury continue to haunt our era of desperate justice.” —Avita Ronell, author of Crack Wars“Valerie Solanas finally provides an in-depth, decade-spanning history of Valerie’s life, including mid-teen pregnancies, anti-essentialist college newspaper rebuttals, SCUM lectures, Up Your Ass casting calls, transience, letters of grammatical corrections to Majority Report, a continual emphasis from various sources on Valerie’s intelligence, radicalism, humor, comedic improve timing, and intensity, and thorough discussions of her work dismantling and repudiating sexuality, gender, morality, marriage, the money system, and the patriarchical status quo.” —Natt Ann Carrera, musician“This compelling biography shows the complexity of Valerie Solanas, placing her in the context of so many later-twentieth-century cultural realities-the commodity explosion of the art world, nuclear family damage and dysfunction, emergent baby-boomer generation narcissism, and the complicated internal struggles of the feminist movement.” —Catherine Morris, Sackler Family Curator at the Elizabeth A. Sackler Center for Feminist Art“There’s no question that Solanas’s belief in the necessaity of theorizing “from the gutter†would have her denouncing today’s inclusive, increasingly professional landscape of feminism. But perhaps she can rest easier (if not in peace) knowing that Fahs has painted a sympathetic portrait of her uncompromising life that―for better and worse―wears its powerful ugliness on its sleeve.†―LA Review of Books“Solanas was a revolutionary artist, and the more time passes, the more significant and prescient her revolution appears to have been, which is in many ways all she ever cared about. How magnificently powerful, to maintain humor, insight, and self-confidence in the face of so much violence. A biography of Valerie Solanas then, hell yeah. You should go read her manifesto and then you should go read this.†―The Brooklyn Rail"Rather than focusing on the Warhol shooting, Fahs gives a refreshing degree of weight to not only SCUM Manifesto―and its contribution to the birth of radical feminism―but also to Solanas’s earlier writings and creative pursuits, such as her playwriting and attempts at publishing in periodicals. Fahs, who interviewed her subject’s family, friends, enemies, as well as Warhol associates, doesn’t shy away from how hated and feared Solanas was by many feminists of the era, such as Betty Friedan, but she portrays Solanas as melancholy, warm, and emotionally broken, as well as violent and combative. While some characters pop up and drop away depending on their relevance to Solanas’s life in the moment, giving a disjointed feel to the narrative, Fahs ably fills a notable gap in feminist history with this accessible volume." ―Publishers Weekly"Valerie Solanas is a biography of a compelling, charismatic, contemptible, and incorrigible woman. It is a biography of the effects of class in the United States on one woman’s life. It is also the biography of an artist. Fahs ends with Solanas’s own words from her 1977 corrected SCUM Manifesto: 'The true artist is every self-confident, healthy female; and in a female society, the only Art, the only Culture, will be conceited, kookie, funkie females grooving on each other, cracking each other up, while cracking open the universe.'"―Lambda Literary Review“This is an astonishing book about an astonishing life. It is a stark epic of a woman who was a symbol in and of an era. Valerie Solanas tells us many of the brutal facts of Valerie’s existence, both before she exploded onto the scene in New York in the mid to late 1960s, as well as afterward. She was larger than life: a genuinely heroic figure. What I appreciate most about Fahs’s biography is that Valerie Solanas emerges with a dignity that escaped her in life.†―Ti-Grace Atkinson, author of Amazon Odyssey“Valerie Solanas was an enigma, an outsider even among misfits, and one of the most shocking radicals in a decade teeming with them. Breanne Fah’s book is a long overdue excavation of the obsessions, paranoia, and rage that fueled both Solanas’s visionary manifesto and her appalling attempt to murder Warhol.†―Cynthia Carr, author of Fire in the Belly: The Life and Times of David Wojnariowicz“Finally, a biography of Valerie Solanas that does justice to her brilliant SCUM Manifesto and tragic life. In this narrative, Andy Warhol no longer defines who Valerie was. Breanne Fahs has written a compelling masterpiece sure to become a classic.†―Roxanne Dunbar-Ortiz, author of Outlaw Woman“Breanne Fahs delivers the crucial backstory behind the deadly yet relevant aims of premier cultural deviant, Valerie Solanas, whose often indefensible edges, war cries, and logic of injury continue to haunt our era of desperate justice.†―Avita Ronell, author of Crack Wars“Valerie Solanas finally provides an in-depth, decade-spanning history of Valerie’s life, including mid-teen pregnancies, anti-essentialist college newspaper rebuttals, SCUM lectures, Up Your Ass casting calls, transience, letters of grammatical corrections to Majority Report, a continual emphasis from various sources on Valerie’s intelligence, radicalism, humor, comedic improve timing, and intensity, and thorough discussions of her work dismantling and repudiating sexuality, gender, morality, marriage, the money system, and the patriarchical status quo.†―Natt Ann Carrera, musician“This compelling biography shows the complexity of Valerie Solanas, placing her in the context of so many later-twentieth-century cultural realities-the commodity explosion of the art world, nuclear family damage and dysfunction, emergent baby-boomer generation narcissism, and the complicated internal struggles of the feminist movement.†―Catherine Morris, Sackler Family Curator at the Elizabeth A. Sackler Center for Feminist Art
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Product details
Paperback: 352 pages
Publisher: The Feminist Press at CUNY (April 22, 2014)
Language: English
ISBN-10: 1558618481
ISBN-13: 978-1558618480
Product Dimensions:
5.5 x 0.8 x 6 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#650,995 in Books (See Top 100 in Books)
I had never heard of Valerie Solanas until the movie I Shot Andy Warhol. I heard of Warhol, but not Solanas. I had so many questions about her after I saw the movie, this book answers many of them. The book is well researched, it wasn't easy to read by any means, but this was such a great book! Some of the people whom I remembered from the book I got to know in better detail I especially liked how Jeremiah Newton gave Valerie support where he could. I really wished that Valerie would have continued to perservere in getting the help that she needed. I've read some of her SCUM manifesto & having lived through much sexual harrassment found it spot on! Read this book for yourself. A must read for anyone interested in feminist issues. A searing read on the horrible state of the mental health system & a brilliant woman who fell thru it's cracks.
Extremely well-researched bio that is very sensitively written.
Interesting mostly. Quite a unique character, with the dubious distinction of having shot Andy Warhol and ruining his life. Crazy behavior but a voice to be heard. Good writing. 4 Stars.
The author does not understand radical feminism or the work of Valerie Solanas. This is a trendy and shallow treatment of Solanas. Solanas, the woman who fired the opening salvo of radical feminism -- the most revolutionary political philosophy in the history of humanity -- deserves to be understood. A profound disappointment.
An incredibly smart and insightful book on Solanas.
Makes most women I know much more tolerable in comparison! LOL!.
I had no inclination to review this book until Amazon requested a rating. Normally, this wouldn’t be a book I’d choose for my library.I do remember a crazy actress shot Andy Warhol in 1968, but hadn’t given the incident much thought over the past 47 years. During my career in law enforcement, I interviewed many deranged individuals who killed for irrational reasons. I don’t enjoy reading about murder for entertainment purposes.That said, Breanne Fahs has written a cogent, well-researched biography about a troubled woman with serious mental illness… and a typewriter. This is not a sensationalized hagiography. Valerie Solanas comes across as scarier than Medusa, Lorena Bobbitt, Lizzie Borden, Lucrezia Borgia and Glenn Close in “Fatal Attraction†put together.If you were looking for a prom date, Valerie wouldn’t be on your radar. She was not shy about expressing hostility toward potential swain. This misandrist was deadly serious, but not a particularly good shot.Her seminal work was "The SCUM Manifesto." Ironically, her male publisher, Maurice Girodas, turned “SCUM†into an acronym: Society for Cutting Up Men, a catchy name for a sorority of homicidal radical feminists.Males could join SCUM if they took this pledge: “I will kill all men who are not in the Men’s auxiliary of SCUM, work diligently to eliminate myself, do good and play ball with SCUM."After reading further excepts from 'The SCUM Manifesto,' I learned that fatherhood "provides the basis for the male’s major opportunity to control and manipulate.â€The best quote comes from cultural feminist Brooke Williams: “Who cares what Valerie Solanas has to say? She should go back to trigger pulling.â€Valerie's angry play, "Up Your Ass,†was discussed in the book. Master Author Red Jordan Arobateau, a self-described “butch dike and current Transman,†wrote a glowing review about a 1999 San Francisco Tenderloin performance that begins as follows:“I never got to **** Valerie Solana’s ***** before she died. But I did get to see "Up Your Ass," her well-titled play with its anal, man-hating, trick-scorning, loathing observations of mainstream society and cutting edge humor."A new world has opened for me.Feminism is a large, inclusive umbrella: Liberal Feminism, Anarchist Feminism, Socialist Feminism, Separatist Feminism, Cultural Feminism, Radical Feminism, Anti-Pornography Feminism, Sex-Positive Feminism, Lesbian Feminism, Black Feminism, Chicana Feminism, Asian-American Feminism, Native-American Feminism, Multiracial Feminism, Jewish Feminism, Jewish Orthodox Feminism, Islamic Feminism, Postcolonial Feminism, Third World Feminism, Standpoint Feminism, Libertarian Feminism, New Age Feminism, Post-structural Feminism, Postmodern Feminism, French Feminism, Environmental Feminism, Transfeminism, Conservative Feminism, Men’s Feminism, Contemporary Feminism, Virgin Feminism, Christian Feminism, Darwinian Feminism, Disney Princess Feminism, Deaf Feminism, Eisenhower Feminism, Second Wave Feminism, Third Wave Feminism and even Gidget Feminism.This is great stuff... until the bullets start flying.
As a mildly insane manhater, I fell in love with the scum manifesto a few years ago and I've been ever so curious about Valerie herself but unable to find much information on her until I found this book. I absolutely loved it and found it to be very revealing. thankyou breanne fahs and amazon! :)
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